Partly for this reason, we decided to conduct analysis using existing audiovisual recordings that were obtained using commonly available video cameras and audio recorders, rather than relying on specialist set-ups such as Motion Capture facilities, thus minimizing the intrusiveness of the research. The aim was to use comparative study to explore cultural variation in interpersonal entrainment. The project brought together various researchers and teams to share corpora, specialist knowledge and analytical approaches. Empirical studies of musicians' behavior in natural performance situations are rare but important for a comprehensive understanding of music making, since laboratory experiments omit many contextual factors which may be highly relevant, while typically asking participants to produce or respond to highly simplified sequences. THE Interpersonal Entrainment in Music Performance (IEMP) project aimed to advance understanding of interpersonal entrainment – the synchronization and coordination of actions and resultant sounds between participants – in music performance (Clayton et al. Submitted 2020 May 3 accepted 2020 September 10. We also contextualize the collection in relation to developments in Open Science and Open Data, discussing important distinctions between the two related concepts. Details of technical validation procedures and notes on data visualization are available as Appendices. In this article we introduce the main features of the data collection and the methods used in its preparation. The collection is unprecedented in size and level of detail and represents a significant new resource for empirical and computational research in music. Annotation of metrical structure and code used in the preparation of the collection is also shared. The core data for each corpus comprises media files and computationally extracted event onset timing data. ABSTRACT: The Interpersonal Entrainment in Music Performance Data Collection (IEMPDC) comprises six related corpora of music research materials: Cuban Son & Salsa (CSS), European String Quartet (ESQ), Malian Jembe (MJ), North Indian Raga (NIR), Tunisian Stambeli (TS), and Uruguayan Candombe (UC).
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